ATTACK: WRIST GRAB - CROSS HAND

1. katana nage
taisabaki, thumb of grabbed wrist rolls over uke hand and leads into direction of uke's roll, don't let elbow rise or stray from body, don't let lead arm collapse to body. after taisabaki, put inside arm/shoulder (not grabbed) into uke's armpit, and your grabbed wrist is kept in your body's center. with arm under uke shoulder, have hand facing palm side up and roll arm over to palm side down, as you hitch step to make uke forward roll. hitch step downward keeping knees bent. think down, bring uke down. seems like uke is off balance when shoulder is in uke arm pit and you hitch step and brings hand down
* katana nage -
MVD said... the technique you described from a cross hand wrist grab, where you tai sabaki in next to uke, leading them forward, and place free arm in the arm pit to throw them into a roll is called katana nage, which means sword throw; one is supposed to imagine the hand in uke's arm pit as a sword, cutting down, as one throws.

2 Hitch step at an angle away from uke + crossing center line, then take another step forward with other leg through uke with shoulder in uke arm pit. Bend knees on the way down with each step to bring uke down.




3. NIKKYU
bend knees, step sideways and away from center with 45 degree angle facing uke, snake grabbed hand outward/under uke hand and around to catch uke forearm from its outside edge.

don't lift uke's arm while snaking around wrist. If you have small hands like me, sensei maria says to bring immediately up, rather than circling around uke's wrist.

after catching uke forearm with this hand, free hand places over uke's grabbing hand to secure onto your wrist/forearm, uke's elbow should be bent.

can create bend with the grabbed hand's fingers caught on uke arm, after snaking around wrist,

bend knee, roll wrists fwd to cause wrist pain. roll with steady pressure, not jerky motion. align obi knot to knot. It's the wrist pain that brings uke down, not forcing with arms, Then outside hand thumb goes catches under uke elbow, lead uke elbow to uke's ear as you step in, bring down. Then lock

4. Kote gaeshi
step to side away from uke, roll hand over uke hand against uke's thumb, little fingers of other hand catch uke hand/thumb side, twist hips to apply lock, step w/ uke fall and aid roll over to belly + lock

5. shihonage
step in + crossing the center line with back leg and stepping close to uke, thumb turns over uke wrist, keep uke arm straight, elbows to chest, head close to uke, bend knee for take down, loosen grip to protect uke.

6. IKKYU
a. bend knee, so elbows are below attacked wrist. Then snake around to outside edge of uke's forearm. Pivot hips and take off balance. Hitch step downward with other hand on uke elbow. Take another step and walk them down.

b. 2nd technique that does the above, except after snaking around uke's wrist, hitch step downward/deeply to an angle away from uke. put shoulder into uke's shoulder. Then take another step downward with following leg towards uke.

* don't have to wait to be grabbed, whole body gets into technique

7. SANKYU
A. Bend knees, get low, and grabbed wrist's arm angles up to bend uke's elbow and create a window to step under. Hitch step deeply and immediately place uke's arm against shoulder. Other hand grabs with three fingers wrapped around outside edge of hand and palm of other hand is flat against uke's back of hand. Grabbed wrist can grab fingers and strengthen pin against chest. If uke's wrist is in fist no need to grab the fingers, just turn. Always keep wrist straight with forearm. Pivot around hips, whole body applies the twist with uke's hand pinned to body. Following leg steps back to get out of the way of uke's hip. (When on the street, you'd turn with no mercy and break/dislocate wrist.) stay behind uke. But, after uke taps due to pain, then you bring wrist/hand with your hip as you step around 180 degrees. Other hand goes ontop of uke's elbow and take down. When on the ground, make sure all weight is over elbow to prevent uke to run/roll away. Apply lock.

8. Shoulder roll with step
lead hand immediately goes for uke shoulder, step to shiko dachi stance, hand that's being grabbed- immediate turn your hand over, rotating thumbside and lead ukes hand up, your elbow down, and lead uke hand up as your other hand on shoulder rolls the joint back, not downward, then drop the hips immediately down centerline for take down. The lead hand creates the off balance, the hips driving down centerline of body is the take down.

9. step in, slightly turn hip, strike through uke aiming at face (which begins off balance) then immediate drop weight straight down between legs (not forward) for take down. lock. "cut through uke"

10. throw arm down in vertical locked position
- taisabaki- catch hand by rolling thumb over so uke hand is below your palm and caught, taisabaki, other hand grabs elbow and locks arm in very vertical position to ground, hitch step forward, don't push with arms, go down with arms, use body momentum in the hitch step. uke takes forward roll.

see video

11 do same above, but step in front of uke, put shoulder into uke's arm pit and follow through with throw
see video
see video

12. step in w/ back leg, let thumb/hand roll over uke hand, so uke grabbing hand is now under your grabbed hand, outside hand smack uke face, goes down centerline of uke as you turn and snake this hand under uke elbow to your own wrist, create tiger lock, step back leg into shiko dachi, knee on head, lock with uke elbow to chest, and wrist bent down + toward u