class

i left my notes of japanese names somewhere in my bag
need to find it, will update later

double wrist grab
1. palms up, step to outside, inside hand shows pretty picture to uke, outside hand drops low w/ body weight, this is key for off balance, nice to step deeply, uke takes back fall
2. same above except uke doesn't fall, so inside hand grabs collar, bring head down, outside hand aids in keeping uke hand behind (create bend at elbow), inside leg steps across + behind lead leg, pivot hips while bring head down and around, breathe out and project uke away into fwd roll

round house
1. similar close window, but outside hand blocks + brings punching arm down and inside hand drapes over uke's non attacking side shoulder, bring uke head to u, think dropping weight first and imagine finishing technique that way - like close window, but to finish w/ projection, grab gi w/ arm draped over uke, (sensei c pushes attacking arm behind uke somehow), inside leg steps across, pivot hips + project
2. like ippon seionage, but no clipping of shoulder, step to inside, catch punch, opp side arm under uke's punching arm, pivot, drop to one knee (side opp of uke's attacking arm)
3. kotogaeshi - once do windmill mvmet immediately apply lock, dont' bring uke hand up


wrist grab - shihonage
1. "god made me small so that i could fit underneath [armpit] of uke" says sensei c, when uke grabs wrist offer thumb edge side of forearm for easier grab + immediately go for shihonage
2. when switching up to make uke do breakfall - outside hand cups over other to aid in wrist twist, uke elbow firmly pinned to body, bend knee, don't bend head down or body forward, uke takes breakfall